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This legendary creature embodies the fantastic qualities that ancient and medieval commentators ascribed to the natural salamander. Many of these qualities are rooted in verifiable traits of the natural creature but often exaggerated.
A large body of legend , mythology , and symbolism has developed around this creature over the centuries. In one of the earliest surviving descriptions of a salamander, Pliny the Elder 23—79 CE noted that the creature is "an animal like a lizard in shape and with a body specked all over; it never comes out except during heavy showers and goes away the moment the weather becomes clear.
Pliny recounts several other traits which are less credible, such as the ability to extinguish fire with the frigidity of their bodies, a quality which was reported as hearsay by Aristotle — BCE.
Pliny also notes medicinal and poisonous properties, which are founded in fact on some level, since many species of salamander, including fire salamanders and Alpine salamanders, excrete toxic, physiologically active substances.
These substances are often excreted when the animal is threatened, which has the effect of deterring predators.
The salamander is also mentioned in the Talmud Hagiga 27a as a creature that is a product of fire, and it relates that anyone who is smeared with its blood will be immune to harm from fire.
Rashi — , the primary commentator on the Talmud, describes the salamander as one which is produced by burning a fire in the same place for seven years.
Saint Augustine in the City of God used the example of salamanders to argue for the possibility of humans being punished by being burned in eternal flame in Purgatory.
He wrote "If, therefore, the salamander lives in fire, as naturalists have recorded, and if certain famous mountains of Sicily have been continually on fire from the remotest antiquity until now, and yet remain entire, these are sufficiently convincing examples that everything which burns is not consumed.
A frequently-cited     illustration of a salamander is presented in an influential  20th-century occult work by Manly P. Catholic Archbishop Raymund Netzhammer — explained that the set of woodcuts it belongs to was commissioned by Osiander based on some old "pope illustrations" found at the monastery, which Netzhammer thought may have dated back to the time of Joachim of Fiore d.
Descriptions of the legendary form are more likely to use stylized depictions. In Medieval European bestiaries, fanciful depictions of salamanders include "a satyr-like creature in a circular wooden tub" 8th century , "a worm penetrating flames" 12th century , "a winged dog" 13th century , and "a small bird in flames" 13th century.
Compared to Medieval depictions, Renaissance depictions  are characteristically more realistic, adhering more closely to the Classical description.
Of all the traits ascribed to salamanders, the ones relating to fire have stood out most prominently. This connection probably originates from a behavior common to many species of salamander: When wood was brought indoors and put on the fire, the creatures "mysteriously" appeared from the flames.
The 16th-century Italian artist Benvenuto Cellini — famously recalled witnessing just such an appearance as a child in his autobiography.
Another idea which is found in several Medieval and Renaissance works was that "Egyptian priests" used a hieroglyph which applied the figure of a salamander to represent a man who is burnt, or in other versions a man who has died from cold.
LXII , but it is not now considered to be an authentic representation of hieroglyphic usage. Leonardo da Vinci — wrote the following on the salamander: The salamander, which renews its scaly skin in the fire,—for virtue.
Paracelsus, contrary to the prevalent view of the time, considered them to be not devils but similar to humans — only lacking souls along with giants, dwarves, mermaids, elves, and elemental spirits in human form.
The salamander is found throughout French folklore, although in differing form. In addition or sometimes instead of its fire symbolism, it was attributed a powerful poison.
Some legends say that merely by falling into a well, it would poison the water, and by climbing a fruit tree, poison the fruit.
This gained it the name of "bellows breath". Like the real animal, the legendary salamander breathed seldom; unlike the real salamander, the only way to kill one was said to be to lock it in a confined space so that it breathed its own poison.
Early travelers to China were shown garments supposedly woven from salamander hair or wool; the cloth was completely unharmed by fire. The garments had actually been woven from asbestos.
White, Prester John had a robe made from it; the "Emperor of India" possessed a suit made from a thousand skins; and Pope Alexander III had a tunic which he valued highly.
I have several times put [salamander hair] in the Fire and made it red hot and after taken it out, which being cold, yet remained perfect wool.
An alternative interpretation was that this material was a kind of silk: A 12th-century letter supposedly from Prester John says, "Our realm yields the worm known as the salamander.
Salamanders live in fire and make cocoons , which our court ladies spin and use to weave cloth and garments. To wash and clean these fabrics, they throw them into flames.
A newt is a type of salamander, and they are traditionally associated with witchcraft. Eye of newt refers to mustard, which reiterates the link between salamanders and fire as mustard seeds are used as a "fiery" spice.
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